Note: This guide is meant for an adult audience.
ABOUT THE BOOK
The first time Amy Tan the New York Times best-selling author of The Joy Luck Club, The Kitchen God's Wife, and The Hundred Secret Senses learned her mother's real name as well as that of her grandmother was on the day she died. It happened as Tan and several siblings unified by a need to feel helpful instead of helpless gathered to discuss their dying mother's past and prepare her obituary. Tan was stunned when she realized she had not known her own mother's birth name. It was just one of several surprises. In the act of writing a simple obituary Tan came to realize there was still so much she did not know about her. Soon afterwards she began rewriting the novel she had been working on for five years. Inspired by her own experiences with family secrets kept by one generation from the next, and drawn from a lifetime of questions and images, the result is The Bonesetter's Daughter.
The story begins when Ruth Young, a ghostwriter of self-help books, comes across a clipped stack of papers in the bottom of a desk drawer. Young has been caring for her ailing mother, LuLing, who is beginning to show the unmistakable signs of Alzheimer's disease.
With her latest novel Amy Tan explores the changing place one has in a family of names that were nearly forgotten. Just as she herself has done, Tan shows Ruth finding the secrets and fragments of her mother's past its heartfelt desires, its deepest wounds, its most profound hopes and with each new discovery reconfiguring her assessment of the woman who shaped her life, who is in her bones.
The extent to which Tan's newest novel mixes pure fiction with elements of autobiography is made clear by Tan herself. In acknowledgements of The Bonesetter's Daughter she writes, "The heart of this story belongs to my grandmother, its voice to my mother."
Amy Tan is the author of The Joy Luck Club, The Kitchen Gods Wife, The Hundred Secret Senses, and two childrens books, The Moon Lady and The Chinese Siamese Cat, which will be adapted as a PBS series for children. Tan was a co-producer and co-screenwriter for the film version of The Joy Luck Club, and her essays and stories have appeared in numerous magazines and anthologies. Her work has been translated into more than 25 languages. Tan, who has a masters degree in linguistics from San Jose State University, has worked as a language specialist to programs serving children with developmental disabilities. She lives with her husband in San Francisco and New York.